In “Documenting Discontent: Soundings,” Karina Franco Villaseñor (nêi) and Vladimir Flores García (Vlax) mix and remix new sounds with existing audio projects, playing with their own works and with each other’s. This selection of remixed audio, accompanied by text and images, was curated by nêi and Vlax for the March 2021 event, Documenting Discontent/Documentando el Descontento.
En “Documenting Discontent: Soundings,” Karina Franco Villaseñor (nêi) y Vladimir Flores García (Vlax) mezclan y remezclan nuevos sonidos con proyectos previos, jugando con sus propios sonidos y con los sonidos del otro. Esta selección de audio, con textos e imágenes, fue curada por nêi y Vlax para el evento Documenting Discontent/Documentando el Descontento (Marzo de 2021).
Meet the Artists/Conocer a los artistas
Vladimir Flores García, Vlax
Vladimir Flores García is a multimedia artisan and a graduate of Mexico’s National Autonomous University’s Faculty of Arts and Design. Since 2000, his work has incorporated community journalism and education. He has worked as a news correspondent for independent and public outlets in Mexico (Radio UNAM), the United States (Radio Bilingüe, KPFT, FSRN), and Europe (Radio Nederland, RFI). Vlax is a member of the Dyne.org Foundation, where he investigates decolonial technology using open software tools. He lives in Oaxaca and enjoys cooking vegetarian food. https://vlax.dyne.org/
Vladimir Flores García (México, 1974) es artesano multimedia egresado de la Facultad de Artes y Diseño de la Universidad Nacional Autónoma de México. Desde el año 2000 su trabajo cultural incorpora el periodismo comunitario y la educación. Ha trabajado como corresponsal de noticias en medios independientes y públicos de México (Radio UNAM), Estados Unidos (Radio Bilingüe, KPFT, FSRN) y Europa (Radio Nederland, RFI). Es integrante de la Dyne.org Foundation con la que investiga la tecnología decolonial utilizando herramientas de software libre. Reside en Oaxaca y cocina vegetariano. https://vlax.dyne.org
Karina Franco Villaseñor, nê.i
Karina F. Villaseñor (Mexico, 1985), works in audio production and post-production on a wide range of multimedia projects. She received her Masters degree in Music Technology from the National Autonomous University of Mexico (UNAM) and her bachelor’s degree in Audiovisual Sciences from the Universidad del Claustro de Sor Juana. Her work engages the intersection of sound, body, and perceptive ecology. Her research has been published in academic volumes in Mexico, Chile, Uruguay, Spain, and Turkey. She has collaborated on projects with national and international producers, with an emphasis on documentary projects and sound design for immersive experiences. Since 2009, she has crafted training curricula for educational centers and universities in Mexico City and surrounding areas.
Karina F. Villaseñor, mexicana, 1985, se dedica a la producción y post de audio en colaboración con diversos proyectos multimedia. Es Maestra en Tecnología musical por la Universidad Nacional Autónoma de México y Lic. en C. Audiovisual por la UCSJ. Su trabajo se motiva del cruce entre sonido, cuerpo y ecología perceptiva. Como investigadora ha sido publicada en algunas compilaciones académicas en México, Chile, Uruguay, España y Turquía. Como creadora ha cooperado activamente con productoras nacionales e internacionales, con énfasis en registro documental y diseño sonoro para sistemas inmersivos. Desde el 2009 teje con procesos formativos para centros educativos y universitarios en Ciudad de México y alrededores. https://soundcloud.com/nei-villasenor
6 PM MARCH 8th
On International Women's Day 2021, the Center for Experimental Ethnography is pleased to present Haitian filmmaker Etant Dupain's feature "Madan Sara: Pouvwa Fanm Aysiyen" (Madan Sara: The Power of Haitian Women) followed by a discussion between Etant Dupain (Director, Madan Sara), Dr. Régine Michelle Jean-Charles (Associate Professor of French and the Graduate Program Director at Boston College), and Lunise Cerin (Editor, Madan Sara). The CEE screening of Madan Sara follows a four-day series of free, public screenings of the film throughout Haiti, supported by matenmidiswa pwodiksyon
"The women known as Madan Sara are on the forefront of the battle for a more robust and inclusive economy in Haiti. They work tirelessly to buy, distribute, and sell food and other essentials in markets through the country. Despite the obstacles faced by the women working in a sector that lacks investment, infrastructure and state assistance, the Madan Sara continue to be one of the most critical parts of the Haitian economy and of who we are as a country. The Madan Sara documentary tells the stories of these indefatigable women who work at the margins to make Haiti’s economy run. Despite facing intense hardship and social stigma, the hard work of the Madan Sara puts their children through school, houses their families, and helps to ensure a better life for generations to come. This film amplifies the calls of the Madan Sara as they speak directly to society to share their dreams for a more just Haiti."
WATCH THE TRAILER
Meet The Discussants
Director, Madan Sara
Dr. Régine Michelle Jean-Charles
Associate Professor of French and African and African Diaspora Studies, Boston College
Her first book, Conflict Bodies: The Politics of Rape Representation in the Francophone Imaginary (Columbus: Ohio State University Press, 2014) examines theoretical, visual, and literary texts in order to challenge the dominant views of sexual violence. She has authored over 30 publications that have appeared in books, edited volumes, and peer-reviewed journals. Her second academic book Looking for Other Worlds: Black Feminism, Literary Ethics, and Haitian Fiction is currently under contract with University of Virginia Press. Her book A Trumpet of Conscience for the 21st Century: King’s Call to Justice is forthcoming with Orbis Press in 2021.
Much of Dr. Jean-Charles’s activist work has been with A Long Walk Home, where she began as founding board member in 2003. A Long Walk Home, Inc., is a non-profit organization that uses art to educate, inspire, and mobilize young people to end violence against girls and women. Her involvement in ALWH ranged from performing in Story of a Rape Survivor, a multi-media arts performance about black women and sexual assault, conducting workshops for the Girl/Friends Leadership Institute in Chicago, to giving lectures at universities across the country on topics such as study abroad and sexual assault. Her work with the Boston area includes initiatives with Shatter the Silence a faith-based initiative to address sexual violence and AFAB the Haitian Women’s Association of Boston.
Dr. Jean-Charles is also a regular contributor to media outlets like The Boston Globe, WGBH, America Magazine, and Cognoscenti, where she has weighed in on topics including #metoo and issues affecting the Haitian diaspora.
Editor, Madan Sara
The Madan Sara project is raising funds to support their efforts to bring the film to communities in Haiti through free, public screenings. We invite you to make a contribution of any size to support this mission. To learn more about the film and join in the conversation online, visit MadanSaraFilm.com, use the hashtag #MadanSara across social media, and follow @madansarayiti on Twitter and @MadanSaraFilm on Instagram.
PENN MUSEUM 336